01you know how2025
02Persistence of BACKBONE2025
03Rauhe Else12024
04Rauhe Else22024
05Rauhe Else32024
06Rauhe Else42024
07Trinkhalle/Bauhaus Büdchen2025-today
08Glitch2025
09The file is corrupt and cannot be opened2026
10Rattenkönig2023
11Feldstiege22024
12what goes around, comes around2025
13Feldstiege2024
14Nachtschicht12021
15Nachtschicht32021
16Nachtschicht22021
17Classic Boy Music2024
18more or less inside (Q版)2023
Sina Robering (born 2000 in Münster) has been studying Fine Art at Bauhaus University Weimar since 2021, focusing on sculpture, installation and painting.
Her artistic practice explores “involuntary archives”: traces of places, stories, and information that remain even though they were meant to disappear. Her work looks at how fragments of life and surroundings are both damaged and preserved, and how they continue to have an impact over time.
She is especially interested in how materials change with time and how they react to their environment. Robering works with both artificial and organic materials, such as plastic and bone, and explores the tension between decay and durability that exists within them. Her work reflects on the presence of life in materials that seem lifeless.
Through her sculptures and installations, Robering makes these traces visible and reworks them as “remains.” She examines how forgetting can fail, and how chance, decay, and mistakes can create new ways for things to continue existing.
you know how, 2025Persistence of BACKBONE, 2025Rauhe Else1, 2024Rauhe Else2, 2024Rauhe Else3, 2024Rauhe Else4, 2024Trinkhalle/Bauhaus Büdchen, 2025-todayGlitch 2025The file is corrupt and cannot be opened, 2026Rattenkönig, 2023Feldstiege2, 2024what goes around, comes around, 2025Feldstiege, 2024Nachtschicht1, 2021Nachtschicht3, 2021 / Nachtschicht2, 2021Classic Boy Music, 2024more or less inside (Q版), 202301
you know how, 2025
PU-Foam, Plastics, Styrofoam, Lacquer, Metal
317 x 56 x 35 cm
Ideas and slogans from advertising stay present in everyday life. you know how looks at how they continue to exist and affect us even when taken out of their original context.
02
Persistence of BACKBONE, 2025
PU-Foam, Plastics, Wool, Lacquer, Textile
approx. 250 x 300 x 400 cm
03
Rauhe Else1, 2024
PU-Foam, Plastics, Wool, Lacquer, Textile, Metal, Bones, Wood
approx. 500 x 500 x 110 cm
Breaking social expectations can create change. Rauhe Else explores this idea through an installation based on the legend of the same name.
04
Rauhe Else2, 2024
PU-Foam, Plastics, Wool, Lacquer, Textile, Metal, Bones, Wood
approx. 500 x 500 x 110 cm
05
Rauhe Else3, 2024
PU-Foam, Plastics, Wool, Lacquer, Textile, Metal, Bones, Wood
approx. 500 x 500 x 110 cm
06
Rauhe Else4, 2024
PU-Foam, Plastics, Wool, Lacquer, Textile, Metal, Bones, Wood
approx. 500 x 500 x 110 cm
07
Trinkhalle/Bauhaus Büdchen, 2025-today
Installation and Performative Kiosk at Bauhaus-Universität Weimar
In cooperation with Lori Usai, Enrico Leppla, Sina Robering
Bauhaus Büdchen is a performative installation that connects West German kiosk culture with East German late-night shop (Späti) culture.
08
Glitch 2025
Bones, Plastics, Metal, Wood, Plaster, Water
170 x 80 x 40 cm
Glitch compares the time of physical materials with the time of digital information.
09
The file is corrupt and cannot be opened, 2026
PU-Foam, Plastics, Canvas, Lacquer, Metal, Stickers, Chalk
room installation
The file is corrupt and cannot be opened” deals with the remnants of early-2000s teenage bedroom aesthetics and what would remain of them in an alternative reality.
10
Rattenkönig, 2023
Oil Paint, Plastics, Wood
130 x 200 cm,
City life is often crowded and tight. Rattenkönig asks how this affects how people live and interact together.
11
Feldstiege2, 2024
Acrylic Paint, Oil Paint, Ink, Pastel on Fabric
120 x 200 cm
Digital information about a place is often incomplete or wrong. Feldstiege looks at how accidental archives form and how a different memory of a place is created.
12
what goes around, comes around, 2025
Concrete, Plastic, Wool, Lacquer, Textile, PU-Foam
approx. 300 x 300 x 120 cm
13
Feldstiege, 2024
Metal, Plastics, Wood, Lacquer, Horn, Textile
approx. 30 x 15 x 45 cm
14
Nachtschicht1, 2021
Oil Paint, Acrylic Paint, Pastel Color, Charcoal on Paper
Nachtschicht explores how night work and routine change the way we see and experience the world.
15
Nachtschicht3, 2021
Oil Paint, Acrylic Paint, Pastel Color, Charcoal on Paper
Nachtschicht2, 2021
Oil Paint, Acrylic Paint, Pastel Color, Charcoal on Paper
16
Classic Boy Music, 2024
Bones, Plastics, Wool, Metal
Classic Boy Music and more or less inside (Q版) question authorship and ownership of ideas. They show how chance and information continue in new forms and places.
17
more or less inside (Q版), 2023
Bones, Plastics
64 x 34 x 33 cm
sina.robering@icloud.com
Born in Münster (Westphalia), Germany
Studies in Fine Arts at the Bauhaus-Universität Weimar
Sculpture, Object, and Installation class under Björn Dahlem
Art & Social Space class under Marcel Walldorf
“All Will Be Well”, Gewölbekeller GidaK Berlin – Prenzlauer Berg
“Spuk im Hochhaus”, Landesgartenschau Thüringen 2026 (State Garden Show Thuringia)
“Panta Rhei”, Marienstraße 5 Weimar
“Brain Freeze”, Bauhaus-Universität Weimar
“CRUSH”, Irre Space Weimar
“Love in Time of Bureaucracy”, NOVA Space Weimar
“Ballungsgebiet”, Bauhaus-Universität Weimar
“Unboxing Bauhaus”, Kunstraum Potsdam
“ˈyːbɐˌzɛt͡sn̩”, Irre Space Weimar
“Popular as a Souvenir”, 11m3 Projektraum Weimar
“Partial Recall”, Bauhaus-Universität Weimar
“Na, weil ich gesucht habe wie ein blöder”, Kulturfabrik Apolda
“Trust your Issues”, KET Halle Weimar
(ongoing) “Das Bauhausbüdchen”, performative kiosk at the Bauhaus-Universität Weimar
“Messestand für Leipzig”, exhibition booth of the Bauhaus-Universität Weimar at the Leipzig Book Fair 2025
“Get rich, Maybe not famous”, artists’ fair, Bauhaus-Universität Weimar
ADC Talent AwardBronze in Concept > Spatial Experience / Extended Reality > Concept & Design of Spatial Experiences > Event
for “Get rich. Maybe not famous”
Residency Pilot Program Forsthaus Gertenbach
Erasmus+ BiP Program: “Performative Intervention” in cooperation with the Hungarian University of Fine Arts and Pallas University of Applied Sciences at Lake Balaton, Hungary
„BOOM!“ published by DCV Verlag, ISBN 978-3-96912-271-6
„EIN MESSESTAND FÜR LEIPZIG“ published by LUCIA Verlag, ISBN 978-3-945301-84-5